An Ecuadorian (Quito School) oil on canvas depicting the Virgin Mary nursing the Christ Child, a devotional subject known as the Virgen de la Leche, or Virgin of the Milk. Derived from the longstanding Christian tradition of the Maria Lactans, the subject emphasizes both Christ’s human nature and the Virgin’s maternal role. Intended for private devotion, images of the nursing Madonna encouraged meditation on the Incarnation while expressing Mary’s compassion and protection. The restrained composition, warm flesh tones, extensive gilt embellishment, and decorative treatment exemplify the mature artistic traditions of the eighteenth-century Quito School.

The painting is further distinguished by its direct Ecuadorian provenance, having been collected in Quito by Ana Cordovez before descending through the family of Ximena Angotti, Honorary Consul of Ecuador in San Francisco. Ecuadorian inspection and export markings dated June 4, 1987, remain visible on the reverse, documenting its lawful export from Ecuador prior to its descent to the present owner.

Dimensions:Canvas: 17.75 x 14in. Framed: 23.25 x 19.75in.

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Likely conserved prior to export from Ecuador, including structural stabilization of the original canvas and mounting on a later linen support and twentieth-century stretcher. Overall surface craquelure, with scattered abrasions, edge wear, minor paint loss, and areas of restoration consistent with age. Newer fastening nails are present. The carved giltwood frame exhibits expected surface wear, scattered losses, cracks, and old repairs.