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An important Ecuadorian (Quito School) oil on canvas depicting Our Lady of the Rosary enthroned upon clouds with the Christ Child, accompanied by Saints Dominic and Saint Francis in prayer. The Virgin and Child each present a rosary, illustrating the Dominican tradition that the Blessed Virgin entrusted the Rosary to Saint Dominic as an instrument of prayer and evangelization. Executed during the eighteenth century, the composition reflects the flourishing devotional art of colonial Quito, one of the foremost artistic centers of the Spanish Americas.
Following the Spanish conquest in the sixteenth century, Catholicism became the dominant faith throughout the Andes, and religious imagery assumed a central role in both public worship and private devotion. Workshops in Quito developed a distinctive artistic tradition that blended European Baroque composition with Indigenous and mestizo craftsmanship, producing paintings and sculpture for churches, monasteries, convents, and affluent households throughout the Spanish Empire. Paintings such as this served not merely as decoration but as instruments of religious instruction and contemplation, reinforcing the central role of the Rosary in colonial spiritual life.
The painting displays many characteristics associated with the Quito School, including delicately modeled facial types, a luminous palette, balanced composition, and restrained Baroque ornament. Executed in oil on canvas, it survives on its original support beneath a later professional lining and is presented in a substantial carved Ecuadorian hardwood frame bearing the label of the Quito ecclesiastical workshop of Heriberto T. Salgado, reflecting its continued preservation in Ecuador. The painting is further distinguished by its direct Ecuadorian provenance, having been collected in Quito by Ana Cordovez before descending through the family of Ximena Angotti, Honorary Consul of Ecuador in San Francisco, and retained by the family until the present deaccession. Fresh to the market, it represents a well-preserved example of colonial Andean devotional painting.
The subject of Our Lady of the Rosary attended by Saints Dominic and Saint Francis ranks among the most enduring devotional themes of the Spanish Colonial world and is represented in major museum collections and international auctions devoted to Latin American art.
Dimensions: Canvas: 40.5 x 32in. Framed: 53 x 48in.
Pickup & Shipping: This lot is available for free pickup in Sacramento. For crating and freight delivery, we recommend Capital Crating. For blanket-wrapped delivery within California, contact Delbert McCrea at (831) 566-6088. For cross-country shipping, CCC Transport can be reached at (929) 450-5027.
Professionally relined. Visible repaired area with scattered inpainting. Areas of lifting between the original canvas and lining canvas. Surface craquelure, minor abrasions, and age-related wear consistent with an eighteenth-century devotional painting. The carved frame exhibits expected wear consistent with age and use.
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Collected in Quito, Ecuador by Ana Cordovez (1907–1974). By descent to her daughter, Ximena Angotti (1929–2024), who served as Honorary Consul of Ecuador in San Francisco, and retained by the family until the present deaccession by the current heir.